Color is the primary element of my works that are constantly changing, not forgetting that the design that hide inside them is also very important as it is the framework, the skeleton, the backbone that supports the opera storytelling; This is characterized by an intense and vibrant colors and images of immediately actionable, result of complex pathways that catch the viewer's eye and drag him into a fantastic dimension. The research is intended to give shape to what does not exist and is not visible because it exists only in the mind and is the result of visions including persons in the world of dreams. The idea is that in a world where rampant consumerism and advertising rule, in an overwhelming and hectic, the work must adapt to this, becoming an accomplice, also becoming one spot from slamming in the face to the observer, attraendolo and hypnotizing, otherwise no note and perishes. That's why the use of bright colors, words and images stolen from the world of advertising. Even for the collage I dwell on themes such as consumerism, deceit and vanity of the present society, giving shape to a compositional manner made of symbols and virtual conceptual denouncing the ephemeral and the visionary, addressing the 'analysis of the degradation content and consumption of the image, intended just for its nature to a fast exhaustion of all the myths and typical fragile evanescent of our age. Are metaphysical images that plunge into a surrealistic world of color and morphological impact, that combine cubist elements mixed in color rhythms, fluid forms and great cineticità and stylization, of ancestral calls an intellectual and spiritual vision of a world noted with deep critical sense, but also with sarcasm and wry detachment.